© 2011 Sam Bern. All rights reserved.
I took some photos of the poet Amy Acre on the roof of her building in East London. She performed her poems while I took photos. The sun was setting and it was a beautiful light.
© 2010 Sam Bern. All rights reserved.
Dead Cat isn’t finished but we’ve started talking and planning what we want to do next. Me and Stef went away a few weeks ago to talk about the notes we’ve been working on over the last few months and … Continue reading →
© 2010 Sam Bern. All rights reserved.
I’m a bit of a sap, but isn’t there something awful about a lost ball. Not sure, how I got the light leak, on the left as it was the middle of the film and it’s the only one that … Continue reading →
© 2010 Sam Bern. All rights reserved.
I was waiting at Angel station for someone, and I thought I’d spend a bit of time stalking people. Seeing if I could capture something private. I wonder if she’s bored or upset? I shot it on Ilford hp5+ 400, … Continue reading →
© 2010 Sam Bern. All rights reserved.
I did a photo shoot with the actress Jess Collette.
This photo was take under a bridge with her face lit by a reflection from the water.
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© 2010 Sam Bern. All rights reserved.
This is so cross processed it looks like a painting. It’s my favourite from the Annalie shoot.
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© 2010 Sam Bern. All rights reserved.
I took this during the cross processing shoot. I changed cameras to the Vivitar Ultra thin and slim. It was a sunny day and I wanted to get a streaming sun into the film. It went with the dream like feeling of the other photos, except this feels more like a memory.
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© 2010 Sam Bern. All rights reserved.
A few nights ago Annalie Wilson let me come and take some photos of her and the band. I took a mixture of film and digital, this is my favorite of the night which I took on a 135mm lens using Kodak Tri-x film. The gig was really dark and I pushed the film to 1600, not totally happy with rolls development, but interesting to see what I could change. I used Ilford DD-X think I might try HC110 next time.
I haven’t taken photos at a gig before and there are lots of things I’d wish I’d done differently, taken a much wider backup lens, developed the film more gradually to bring out some of detail in the shadow, been brave enough to take some photos behind the audience.
Hopefully I’ll get to do it again in the future.
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© 2010 Sam Bern. All rights reserved.
This is more push processing, using Legacy Pro 400 pushed to 1600 and developed in Ilford DD-X. I’m surprised by how un-grainy it is. I guess black and white is much more forgiving.
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